The exhibition presents Lina Bo Bardi’s glasshouse in São Paulo, Casa de Vidro (1950-52) inside Sverre Fehn’s glass pavilion (1997-2008). The juxtaposition serves as starting point for a dialogue between two architects who never met and yet have similarities; for example the sculptural use of reinforced concrete, their long-standing commitment to rehabilitation projects and adaptive re-use and their interest in exhibition design.
↧