On September 19, the National Gallery of Modern Art hosted the opening of Prabuddha Dasgupta: A Journey, a retrospective on the work of a man regarded as one of India’s finest photographers in the past two decades. A giant crowd of artists and aficionados filled the auditorium well beyond its capacity, then poured into the exhibition space, still swelling in numbers, in a state of excitement that hadn’t been witnessed at the NGMA since Anish Kapoor’s solo exhibition five years earlier.
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Whatever You Do, Don’t Become an Artist: Revisiting Prabuddha Dasgupta | Piyush Wadhera in The Wire
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